A 2004 Collegiate Men's Olympic Basketball Team

Continuing where I left off, I've moved on to making an US Men's Olympic basketball team made up of college players. And this would 2004, a year of infamy in US Olympic Basketball, in which for the first time a team of professional players failed to win the gold medal(and lose three times in the process).
I think it would have been Roy Williams as the coach, if he wouldn't have already been before in his remarkably consistent career at Kansas and before returning North Carolina to national prominence. And I think he would have been the ideal coach for this team.


Starters

• C Emeka Okafor (Connecticut)
• PF Wayne Simien  (Kansas)
• SF Josh Childress (Stanford)
• SG Ben Gordon (Connecticut)
• PG Jameer Nelson (St. Joseph's)

Bench

• PF/C Sean May (North Carolina)
• PF Hakim Warrick (Syracuse)
• PF Lawrence Roberts (Mississippi State) 
• SF Luke Jackson (Oregon)
• SG J.J. Redick (Duke)
• G Blake Stepp (Gonzaga)
• PG Chris Paul (Wake Forrest) 

 Maybe I wasn't paying attention as much during this season of college hoops(Mizzou had probably the most disappointing season in their history with the talent they had.) but apart from a few marquee names, the group of players just doesn't jump out at you. The previous Olympic years I've done all had at least a couple guys with that potential that make you think it would be a dominant talented team. This year's group of players would have made 2004 still seem like it was going to be a struggle for the US.
But there are a few stars, Okafor and Nelson, plus Paul who was only a Freshman here. But skipping college had become the norm for major talent. Actual 2004 team members, LeBron James, would have been a Freshman,  Carmelo Anthony, skipped out in 2003 after his Freshman year and Dwyane Wade, left early as well in 2003, all would have been marquee talent.
And all three are that mid size athletic guy or an athletic forward, which going over the All-American lists and other rosters for 2004, which seemed to be lacking. This roster reflects that, in that the guards are all smaller and the big guys tall, height wise. I'm sure in real life it would have been balanced a little more, but it just seemed like all the talent that year were smaller guards, with a handful of bigs.
But the thing is, Roy Williams could probably work it to his advantage. Quite a few of his later Kansas teams were built on three smaller guys and two bigs. As much as I despised him for coaching KU and now Carolina, I've got to admit he's a hell of a recruiter and able to harvest that talent into a unit. With this roster he has talented point guards, solid shooters and quality big guys with various strengths. This team might have stood a better chance that the real 2004 team...
Though maybe we're just destined to lose every 16 years. 1972 to 1988 to 2004, which puts 2020 as the next year. And that will be the first Games after which Coach K won't be coach after righting the US ship following the 2004 debacle...

A 2000 Collegiate Men's Olympic Basketball Team

Continuing from my previous work of making up Olympic teams made up of college players, I'm now up to 2000. The group of eligible players wouldn't have been as stout from top to bottom as the 1992 and 1996 teams would have probably looked. By now skipping college altogether was becoming more common(Kobe Bryant and Jermaine O'Neal would have been seniors in 2000) and early entrants were as well.
But looking at the top college players here, I think this group would probably be a better "team" from top to bottom rather than a collection of stars. I think Coach K would have again been the coach, after getting Duke back to prominence from a lull in the mid-90s and he likely would have again brought several of his guys to enhance the team setting.

Starters

• C Brendan Haywood (North Carolina)
  
• PF Troy Murphy (Notre Dame)
  
• F Shane Battier (Duke)
  
• SG/SF Chris Carrawell (Duke)
• PG Mateen Cleaves (Michigan State)
  

Bench

• C Chris Mihm (Texas)
• PF/C Kenyon Martin (Cincinnati) *
• PF Marcus Fizer (Iowa State)
• SF Morris Peterson (Michigan State)
  
• SF/SG Tayshaun Prince (Kentucky)
• SG/SF Courtney Alexander (Fresno State)
• PG Jason Williams (Duke)
• PG Speedy Claxton (Hofstra)

This would definitely have been an athletic team, with forwards with size, speed and agility. The only downside is there isn't that many true shooting guards besides Carrawell, but the versatile forwards like Prince and Battier, make up for it. And there quite a few good point guard candidates that didn't make the roster, A.J. Guyton and Scoonie Penn, were both first team All-Americans, plus there was Ed Cota and Khalid El-Amin too...
And I realize my teams are more star and All-American heavy that historical college Olympic teams. Quite a few of the stars wouldn't want to play, some guys wouldn't make it due to needing various role spots(Height, shooters, mid size defensive stopper, etc.) and there likely have been a couple true two guards. But I also figure that as the game became more international, kids would want that exposure for the future and its a combination of taking as many of the best players and filling roles.
No matter who would have made up the roster( if it were made up of college players), I think this group of players(as well as the options available in 1992 and 1996) would have continued USA Basketball's winning way in Olympic play. But 2004 might be a different story..

*- I'm assuming Kenyon Martin wouldn't have been able to make the team after breaking his leg during the Conference USA Tournament, but as the player of the year in college basketball, he would have definitely been a starter.

Maybe It's the Nerd In Me...

...But on the Big Bang Theory, how does Penny have an apartment in the same building as Sheldon and Leonard, who share an apartment? Granted hers is way smaller, but a waitress barely making ends meet versus two scientists with doctorates working at a university? Stranger things in life happen and I guess it is a pretty crappy apartment building(the elevator has never worked) which would let the two of them save money for stuff they like....

The Spirit of George Jones...And Everyone Else; 5/3 Jamey Johnson Concert Review

I put off buying tickets to see one of my favorite performers for a third time, Jamey Johnson until about two weeks or so before. I was sort of wishy washy about it, I just saw him a year to the date(or at least the same first Friday of May. I remember because it was Free Comic Book Day the next day last year as well.), but figured I hadn't burned up any vacation days and he is one of my favorite artists.

And it was originally going to be held outside on 9th Street in front of the Blue Note as part of it's 9th Street Summerfest line of concerts. The weather changed of possible snow in May, pushed it indoors. Which was ironic because last year, I was worried about getting to hot inside the venue. And it also pushed the doors opening from six to eight for whatever reason.
I got there a little after seven , after doing a scramble to find parking on a Friday night and the line was already tailed back into south alley. I made the strategic decision to leave my heavy coat, in that I'd rather be down in front of the stage than up in the balcony. Standing in line for 40 minutes of 40 degree temperature, I did have some regrets but figuring it'd be warm inside packed up next to people. I'm just glad I skipped shaving...
Once the doors open and I got in and took a piss, I got in a decent area up to the left front area. And to my dismay, even with my hoodie it was still freezing in a gaggle of people. The crowd was made up of a surprisingly number of middle aged women in addition to younger college age fans. Both downing copious amounts of beer.
After standing around for another hour, opening act Chris Hennessee came out at nineish and played seven( I think) songs over half an hour. He did a lot of the outlaw name dropping and covering of songs, doing a good job of priming the crowd, but when playing his own originals it was like he was playing for about ten people in a crowd of a thousand. Which was a shame because I think he's got some talent and enjoyed his raw singer songwriting material, Waylon Jennings Song was the best stand out and even the medley of his influences was enjoyable, though makes him sound too much like others.
Set List
1. Country Boy Can Survive>Outlaw Women
2. Waylon Jennings Song
3. Long Haired Redneck>Hey Good Looking
4. 
5. Red Dress
6. Medley- Mama's Don't Let Your Baby's Grow Up (To Be Cowboys)/ Luckenbach Texas> Good Ol' Boys/ Swingin'/Ballad of Curtis Loew/Can't You See
7. Georgiana

Around 10:05 the lights dimmed and the band took the stage, including Hennessee who played guitar, harmonica and backing vocals during Johnson's whole set, before Jamey clad in a Harley emblazoned jacket, took the stage and opening with  High Cost of Living.
Being my third time seeing him, I had a pretty good idea of what to expect song wise and the reverence of covers from his favorite artist. I could even say it's his shtick, of how he doesn't hardly say anything throughout the show, plays a lot of the same covers, which takes a lot of the uniqueness away for me, but there's something about the passion and joy that makes me forget about most of that and just enjoy the show. Without libation too. It's a celebration of Johnson's songs, his backing band's tightness and ability and his respect for his forefathers.
The day before he played the memorial for the late great George Jones and it was still evident throughout the night, the second song was a Jones song, the first of four, possibly five. And you could see the intensity of Johnson putting in the performance to these songs.
Overall in the 32 song and two and half hour, it was about two thirds cover songs to Johnson originals. While I'd have liked to have heard a couple of favorites California Riots, Women, it really didn't matter. Seeing him do three Waylon songs, and all three ones I like, Set 'Em Up Joe and three of my favorite Johnson songs, By the Seat of Your Pants, Playing the Part and Give It Away, all made up for it.

Set List (Not sure of one song)

1. Released>High Cost of Living
2. Bartender's Blues
3. That Lonesome Song
4. Still Doing Time
5. Can't Cash My Checks
6.  Take This Job and Shove It
7. Waymore's Blues
8. That's The Way Love Goes
9. The Guitar Song
10. Who's Gonna Fill Their Shoes?
11. By the Seat of Your Pants
12. Set 'Em Up Joe
13. Playing the Part
14. The Door Is Always Open
15. Long Black Veil
16. Dixieland Delight
17. Understand Your Man
18. Are You Sure Hank Done It This Way?
19.  ?(Would These Arms Be In Your Way? Walk Through This World With Me, Honky Tonk World, Don't You Ever Get Tired(Of Hurting Me)
20. Macon
21. Heaven Was a Drink of Wine
22. White Lightning
23. Oh Susannah/Midnight Rider
24. Nothing Is Better Than You
25. Turn the Page
26. Tulsa Time
27. In Color
28. Give It Away
29. The Chair
30. I Fall to Pieces
31. Amazing Grace
32. I Saw the Light


And of my three times seeing him this was the most talkative he's been. Midway through the show there was a couple of fights, where the bouncers had to escort at least three people out through the night(and mostly girls I believe) which led Johnson to remark, "If you all keep up the fighting, we're gonna have to learn the Rocky theme." And one of the crew, looking to be ex-cop or military, came near me and was harassing some girl, making me miss a good part of the fiery performance of Are You Sure Hank Done It This Way? Thanks dickhead.
 Before the highlight performance of the night Dixieland Delight, he asked us if we liked Alabama? And after the scorching fiddle playing by the keyboardist, he remarked, "There's nothing we can do that can top that....But we can add to it."  And before The Chair, he said, "Alright, lets do some Hank Cochran," and afterwards explained to us before it was a George Strait song it was a Cochran song.
The only real downside, was being in front of the speaker, the bass was cranked way higher than anything in the mix for where I was standing. Needless to say a day later the ears and deaf and ringing.

"Here's one for the Opossum, " he said, before Amazing Grace and "in case its dark when he gets there," before the finale of I Saw the Light, which Johnson still doesn't do the fake exit encore, which is another reason to love this man.
The big guy I was standing near most of the night and who I believe was there last year as well, yelled out, "Jamey Johnson! You can fuck my mom!" at one point towards the end. Hilarious.
Standing for five and a half hours and being cold all night and still have ringing ears 24 hours later, it was well worth it. Better than last year and almost as good as the first time I saw him in 2009, which is probably the best concert I've ever seen. How awesome is it to see a man with two CMA and ACM Songs of the Year under his belt this close and yet, so sad when people like Jason Aldean are where they are?

A 1996 Collegiate Men's Olympic Basketball Team

Continuing where I started with the 2012 and 1992 teams, brings us to 1996. 1992 would have been a tough year to narrow down players( I think I would up leaving off Rodney Rogers and Harold Miner among others) and 1996 would have been even tougher. The 1996 NBA Draft produced one of the best collection of rookies which meant there were a lot of good players out there.
The coach in my mind would have been Rick Pitino, for his work of turning the Kentucky program back around the 1990s and fresh off a championship in the 1995-96 season with a deep roster of stars, would have been perfect in leading this team.


Starters

• C Tim Duncan (Wake Forest)
• PF/C Marcus Camby (Massachusetts)
• F John Wallace (Syracuse)
• SG/SF Ray Allen (Connecticut)
• PG Allen Iverson (Georgetown) 

Bench

• C Erick Dampier (Mississippi State)
• PF Walter McCarty (Kentucky)
• F Keith Van Horn (Utah)
• F Antoine Walker (Kentucky) 
• SG/SF Kerry Kittles (Villanova)
• G Tony Delk (Kentucky)
• PG Jacque Vaughn (Kansas)  

 I think Pitino would have taken several of his guys with him like I had Coach K do for the 1992 team and like Dean Smith did do for the 1976 Games. But this team would have been talented and been able to play big or small, with talented athletic NBA forwards. This would have been another team to rival that of the fabled 1960 Olympic Team too.
The scary thing is how many didn't make the cut.  Stephon Marbury, Raef LaFrentz, Danny Fortson and Lorenzen Wright off the top of my head.
While I know I load them more heavy with stars  and All-Americans than most college Olympic teams actually had, I think even without the Dream Team and eligibility of professionals, the bigger name guys would have played more. And too, the early to mid 1990s just featured a lot of great players, before Kevin Garnett led the trend of skipping college all together and players were jumping to the pros even earlier. 

The Ghost of Mike Dixon and the Missouri Tigers 2012-13 Season and Beyond

Last year, I wrote about Frank Haith's successful first season, albeit with a disappointing finish and wondering if 2011-12 was going to be as good as it got for Haith. He had a tight knit senior laden club with the talent to make it to the Final Four and would lose all but two of players from that team.
But with the news that former UConn Center Alex Oriakhi was coming to Mizzou, joining a super backcourt of Phil Pressey and Michael Dixon and fifth year senior Lawrence Bowers back after an injury, things started looking up. We were getting three impact transfers, in addition to Oriakhi, and going to the SEC, where the basketball waters aren't as tough and aside from Florida and Kentucky, the conference was even weaker than normal. Missouri did end up having a great season, with really only a couple of bad losses, at Florida and to Louisville(the likely national champion as I write this before the Final Four) in the Bahamas. Realistically Missouri should have could have won every other game they lost in the regular season. This team was good but...
They could have been so much more. The first couple of months the team looked like a contender, playing the way the prognosticators across the country thought they could be. And that was without Michael Dixon, who was was suspended for undisclosed reasons, as well as Jabari Brown, a former five star wing player who transferred from Oregon, who was eligible in the second semester. It looked like they had the mentality of a winner and knew they could be so much more when they got Dixon, but...
We all know what happened, when Dixon was booted off the team and the university for multiple sexual assaults, which he seemed to have had to remorse about. And after that the team started to lose its mojo as the season went on. They still won some big games, didn't lose at home, but at the same time couldn't pull out wins on the road they should have. And they were never fully able to show the confidence needed to make a decent run in the NCAA tourney. Where the ghost of Michael Dixon hurt the team on the court was a lack of a backup point guard to spell Pressey. Negus Webster-Chan a 6'7 swingman was used early in the season in the role and Keion Bell a 6'3 shooting guard, settled in the role, but never looked comfortable. And Pressey wound up playing 35 plus minutes a night. Dixon would have been able to spell Pressey for breaks, having the size to run the offense and help defensively on smaller guards. In the most ironicof ironies, the 2013 team was too big, where the 2012 team was Mini-Mizzou with not enough tall and big bodies.
And most importantly, Dixon would have been the choice for late game shots instead of Pressey. Pressey's mistakes late in the game, cost the team four or five chances at wins. Was it too much pressure of trying to do to much to carry the team?

And how much of it was Coach Haith, not trying to do something different? After three or four times, you figure they would try to do something different or put it in someone elses hands. Personally, I think a lot falls on Haith, who's a better recruiter than a coach. He lost his offensive scheme guru Ernie Nestor and the team this year seemed to show Nestor's role was huge last season. I don't this years teams was able to run things from half court sets, hence problems at the end of games and the Haith's Stall Ball Offensive that let teams creep back. I always said Pressey is most effective going to coast-to-coast being able to change speeds. Run your regular offense at the end of games, even if it only takes ten seconds off the clock and take your chances on defense.
It goes back to my questions from last year, where does Haith go from here? Can he continue to build on these successes? Does Phil Pressey come back?
Looking into my crystal ball, I think Pressey comes back for his senior season, but if he doesn't I think the team is in decent shape guard wise. Pressey, Brown and Earnest Ross should fill out the perimeter spots with experience.
And if Pressey doesn't come back, it could be a good thing. It would force other players into action and larger roles, and might get a better team cohesion of not having a go-to-guy or a star.
The biggest problem area will be the front court and points scored in the paint. Tony Criswell is the only player returning from the rotation, with Sophomores to be, Ryan Rosburg and Stefan Jankovic, whose potential is very intriguing, likely fighting for spot in the rotation if not starting.
And newcomers likely will play some big roles. Tulsa transfer Jordan Clarkson, is a big guard who can handle the ball, will likely find a spot as well. Top 100 freshmen, Wes Clark, a 6'0 point guard and Johnathan Williams, an athletic 6'8 forward give Haith, more options and talent to develop, in addition to Junior College transfer Keanau Post, a 6'11 center with potential as well.
I like a rotation of Pressey-Brown-Ross-Criswell-Rosburg starting, with Clark-Clarkson-Williams off the bench. The front court will be up in the air, depending on who can do what, primarily be an offensive threat. That's why I think Williams has a shot to start if he can do that. Heck he could play small forward and Ross, with his bulk act as power forward, providing mismatches for other teams. But I'm not sure how much Haith trusts Freshmen though. Short handed last year, especially in the height department Kadeem Green couldn't even get minutes in big games and this season save for Rosburg, minutes for Freshman were again hard to come by, barring injuries, after conference play started up...
Ultimately it comes down to the coaching ability of Haith or his assistants. I've got a lot of questions and doubts on that ability from what I've seen. There's no doubt the man can recruit. Look at what the kids who recruited to Miami did this year. Heck, he's landed some good talent for 2014, not to mention the transfers he's brought in. 
It will come down to winning and losing after a point. The more talent you have the more is expected. Getting into the tournament is a no-brainer, but early exit and after early exit won't be tolerated year after year. Ask Tubby Smith and Ben Howland. I just wonder how much the ghost of Mike Dixon will haunt Haith and Missouri basketball...

Singin' Those Sad Songs; Emmylou Harris and Rodney Crowell 3/17 Concert Review

I can check two more classic country artists off my list of ones I need to still see live. Old friends, Emmylou Harris and Rodney Crowell hit the road in support of their Old Yellow Moon album and The Peabody Opera House in St. Louis, got the second official stop on the tour. I had waffled on getting tickets earlier in the month, when there wasn't many good open seats. For the hell of it I checked on Thursday and they had released good seats up front.
Now, Harris is one of my old man's favorites and I've wanted too see Crowell too. But alas my dad wasn't sure if he had music practice for a Easter Pageant he's in, but I decided to get tickets anyway, as it was easy to get off work on a Sunday night and my mom would go(which she did) if he couldn't go.
For being St Patrick's day it was a nasty,  rainy, snowing and sleeting day out. Though thankfully it was still warm enough for nothing to stick. But we ended getting there a little bit after six, for the 7 P.M. start time.
The Peabody Opera House is pretty spacious ceiling and stage wise, but don't think seat wise is bigger than the Fox Theatre. Both are nice. The seats I ended up getting were three rows back(six counting the orchestra pit) in the right middle section, which provided one of the best seating views I've had at a concert, at least in the theater setting.
Opening act Richard Thompson hit  the stage a hair after seven, preforming a 10 song set at a little under an hour in his "Electric Trio."  Honestly, other than knowing he is regarded as one of the great guitar players and he was in Fairpoint Convention, I'm not familiar with his much. I did recognize the last song, Tear Stained Letter and I might have heard Keep Your Distance before as well. And his guitar playing was good on his electric and acoustic. The sound and tone of his songs I really enjoyed too, not being familiar with, which means I'll have to check him out a little further.
His English manners and humor were on display as well. Dealing with hecklers, both positive and negative, he came back with several witty replies. After an obnoxious request, he replied, "No, we're going to do the next one."  Early when he was trying to tell the sound people, that he needed to go down, multiple times, he kept motioning down, then telling us, "That's our secret signal system here, to go down."  The funny thing in most circles or places, he's probably more famous than either Crowell or Harris, but is the opening act here, which Thompson said, "..This is a wonderful bill, except for our part here."
After a half hour set change Harris and Crowell came out with their five piece backing band and opened with Gram Parsons' Return of the Grievous Angel, which was almost worth the ticket by itself. They followed with another Parsons tune, Wheels.
Their band kept a good country sound and backing throughout the night. And Harris kept up a banter with the audience throughout the night and Crowell occasionally injecting some of his dry wit. Harris at one point, "I was lucky to have him all to myself in my band and as a songwriter. I heard all of these songs and before other people knew who was (He replied, "They still don't know me.")."
Overall they played 23 songs total at slightly under two hours, hitting quite a few from their new album. Their cover of Kris Kristofferson's Chase The Feeling was a pretty good version and one of the nights highlights. Though Harris at one point remarked how most of the songs they played were sad ones, even with the ones with a nice cheerful beat.
Pancho and Lefty was another highlight, which Harris remarked they loved this Townes Van Zandt song but only knew the words to the chorus and on the bus they had to rewind the cassette of it("With a number two pencil," Crowell added.)  which they kept playing.

And the three pack of songs written by Crowell that Harris recorded in the 70s, of Leaving Louisiana in the Broad Daylight, Till I Gain Control Again and I Ain't Livin' Long Like This, which Thompson came back to add guitar muscle one, was another strong point for me. Leavin Louisiana was the song I was most looking forward to hearing, as I'd been playing Harris' version nonstop the day or two before.
The most surprising omission was Harris' most known song Two More Bottles of Wine, but honestly the beauty of their singing together and other surprise songs, was enough to make up for it.
After leaving the stage shortly, the pair came back for two more songs, If I Could Only Win Your Love and Love Hurts, another song Harris recorded with Parsons as well as another highlight of the night. At the end Harris brought her dogs on stage, and gave a message about taking them in and trying to keep others out of the kennels.
Another one of the better concerts I've been too. And this being the first concert of my smart phone age, I have decent pictures(Though I still need to learn to use it. Should have gotten little better due to my nearness.).  The next day, I told the old man he should have skipped practice and went. Two great icons of true country and Americana music. It's a shame that Tim McGraw and Faith Hill pass the muster for most folks as "Country Music." People have sad tastes.

Set List  (The order isn't 100 percent good and question marks are songs I think they played based on other set lists.)

1. Return of the Grievous Angel
2. Wheels
3.Tragedy ?
4. Tulsa Queen
5. Luxury Liner?
6. Spanish Dream?
7. Pancho and Lefty
8. Earthbound
9. Back When We Were Beautiful
10. Dreaming My Dreams 
11. Bluebird Wine
12. I'll Be Your San Antonio Rose
13. Old Yellow Moon?
14. Chase That Feeling
15. Black Caffeine
16. Invitation to the Blues
17. Leaving Louisiana in the Broad Daylight
18. Till I Gain Control Again
19. I Aint' Living Long Like This
20. Hanging Up My Heart?
21. Still Learning How to Fly  
--------
22. If I Could Only Win Your Love
23. Love Hurts


KDHX's review