As I talked about at the Bob Seger concert in the post below, people were buying multiple glasses of beer at $10 bucks a pop. And I just thought this to myself later, "there's no way I could date a girl who would pay that." I don't care if she drinks or not, it's just the principle behind it. How could I be with someone who could justify spending that? Maybe it's just a psychosis of my thought process or more likely my conservative nature, but it doesn't matter, we wouldn't be compatible.
The only loophole in this is if she is loaded financially.
Sunday, December 11, 2011
The Real Rock and Roll Poet of the Working Class; 12/9 Bob Seger and the Silver Bullet Band concert review
Bob Seger is one of favorite artists and had been wanting to see him and he has rarely toured much the past 15 years save for couple of treks. He last toured in in 2006 behind his previous album. I didn't really pay attention and wasn't feeling the best at the time. Plus it was in December as well, but I was kicking myself for not going.
This Spring he kicked off another tour behind a potential new album(which turned out to be another Greatest Hits collection) and played KC. I dragged my feet again and only had nosebleeds left, plus there were open dates around it and I figured he'd be in St. Louis a day or two around then. No date and I was kicking myself again. But thankfully the rumors of a Fall tour turned out true and St. Louis got a date. I even joined his fan club to get presale access, which was a total fucking joke, for the most part they gave people shitty selections farther away. I screwed around and came back an hour later and got pretty good floor seats, 12 rows back on the right side. I knew Bob didn't use large video screens, so I knew I better get a good view.
Me and Dad got there before seven and they wouldn't let people in til then so we were freezing our asses off, in partially closed area. Finally they started lining us up a little, when it started getting crowded. They also started scanning tickets and then moving us around and only asking us later, if they were already scanned. Dad said, "I think if you planned it right you could have gotten in without a ticket."
The other part, people were already buying beer at ten bucks a pop. This was a nice common theme throughout the night. The people that wound up setting in front of us, a group of four made at least three trips for alcohol. How the hell do you people do this? I think I've made up my mind I couldn't date anyone stupid enough to pay that, unless of course they are totally loaded financially.
We made our way to our seats, waiting the hour before start time and saw the second drum kit, meaning there was an opening act. I guess with a hockey game the next night, they were keeping it colder, but it was freezing down there.
And the other part I've mentioned before, it's amazing with a metro area of 3 million or more? and probably with other people traveling for afar like us, how is it that in an audience of 15,000 all these idiots know one another? I guess it's just the 1% thing, maybe those occupier nut-jobs are on to something.
At 8PM Whitey Morgan and the 78's came out. The group is a country rock group(two Telecasters and a pedal steel, baby) from Flint, Michigan and they played 9 songs for 35 minutes or so. And overall they were enjoyable, they had a good sound. He gave a shout to St. Louis club venue Off-Broadway. "We love coming here. Everybody says that, but we're not bullshitting." He threw in some covers that were nice, Springsteen's I'm On Fire("This one's for the ladies...who I'm kidding, they're all for the ladies."), Merle's Workin' Man Blues, a snippet of John Prine's Paradise and closing with a song by Dale Watson, Where Do You Want It?
Set list I copied from the Philly set list, but think there's a song missing
Crapped Out Again
(Stay Away From) The Cocaine Train
Crazy
I'm On Fire
Another Round
Paradise (snippet)
Workin' Man Blues
Sinner
Where Do Ya Want It?
The set change was done fairly briskly and ready for a Nine o'clock start time, with an announcement that Bob would be on stage in five minutes, though it was a few minutes after. But the lights dimmed and the man appeared with his band.
On the opening number, Roll Me Away, I was a little worried as the sound sounded muddied and Bob's voice was hard to understand. It didn't help he kept getting the crowd to do the chorus. But by the second song, Tryin' To Live My Life Without You, it wasn't as bad. And overall it stood up during the nearly two hour, 22 song show.
But there were times his voice wasn't as strong. He was fighting a cold, coughing quite a bit and a continued smoking habit doesn't help. Overall it was fine, but to me his voice sounded best on the slower and softer numbers, like Mainstreet, Turn the Page and We've Got Tonight, which he introduced saying he was inspired by a scene in the movie The Sting.
It also didn't help, he had a wall of sound behind him. There were three female back-up singers, plus a group of four horn players augmenting his six man band. There's definitely the feel of a Motown influence, which Seger said himself that he loved the blues.
The band was polished and stellar, featuring long time members Chris Campbell and his version of Clarance Clemons, Alto Reed. Or maybe Clarance Clemons is Bruce Springsteen's version of Alto Reed, since Alto and Bob were together first. Plus Grand Funk Railroad members Don Brewer and Craig Frost were part of the band and Jamey Johnson producer Jim "Moose" Brown.
Set List
Roll Me Away
Tryin' to Live My Life Without You
The Fire Down Below
Mainstreet
Old Time Rock and Roll
Downtown Train
Ramblin' Gamblin' Man
Hey Hey Hey Hey (Going Back to Birmingham)
Travelin' Man/Beautiful Loser
We've Got Tonight
Nutbush City Limits
Come to Poppa
Her Strut
Real Mean Bottle
Turn the Page
Sunspot Baby
Katmandu
-----------------
Against the Wind
Hollywood Nights
---------------
Night Moves
Rock and Roll Never Forgets
Highlights for me, well seeing Bob Seger mainly and with his catalog of songs, he got most of the ones I wanted to hear. I knew full well after looking at previous set lists, that Like A Rock wouldn't get played. Of course that was the one my dad most wanted to hear. You'll Accomp'ny Me is probably my favorite of his that he didn't play.
But he played Sunspot Baby, the song I was waiting for, that I just love to hear over and over. Against the Wind, was probably the best song of the evening and he was still cutting the vocals lose with "Let the Cowboys Ride!" during the choruses at the end. Turn the Page was up there too, which he played at the piano, where he usually gave some insights into the songs. That one was written in a motel, not a hotel, in Wisconsin in 1971 and later recorded in Leon Russell's studio in Oklahoma. Her Strut was inspired by Jane Fonda. And usually featured some of his clearest vocals. And the whole band shined on the Travelin' Man/Beautiful Loser segue.
And of course, once that piano intro of Old Time Rock and Roll came, the whole place was wild.
The only minor complaint about the performance was that the banter seemed too automated, many times at the beginning he'd give the album and asked us, "If we remember this one?" I was more worried about him forgetting them. And his shout to St. Louis was just a prefunctionary mention of how he loved flying here and seeing the Arch.
I'm curious if he gets his lyrics fed to him through an ear piece, because during Tryin' To Live My Life Without You, he gave pretty much verbatim of the talking part of the live version on Nine Tonight.
Of course the other people at a concert are the worst part. And I think the older ones are the worst when they're drunk. Dancing around, falling on one another, raising their glasses trying to sing along. Sigh....
But overall it was great. It was pretty neat for most of the songs, everyone was singing along. I haven't been to many shows like that. True at times I wish Seger himself would have been heard more clearly, but still special. And at 66, he was still up there giving it his all. This is the real Rock and Roll poet of the American working class, not that guy from Jersey.
St. Louis Post Dispatch Review
Riverfront Times Review
This Spring he kicked off another tour behind a potential new album(which turned out to be another Greatest Hits collection) and played KC. I dragged my feet again and only had nosebleeds left, plus there were open dates around it and I figured he'd be in St. Louis a day or two around then. No date and I was kicking myself again. But thankfully the rumors of a Fall tour turned out true and St. Louis got a date. I even joined his fan club to get presale access, which was a total fucking joke, for the most part they gave people shitty selections farther away. I screwed around and came back an hour later and got pretty good floor seats, 12 rows back on the right side. I knew Bob didn't use large video screens, so I knew I better get a good view.
Me and Dad got there before seven and they wouldn't let people in til then so we were freezing our asses off, in partially closed area. Finally they started lining us up a little, when it started getting crowded. They also started scanning tickets and then moving us around and only asking us later, if they were already scanned. Dad said, "I think if you planned it right you could have gotten in without a ticket."
The other part, people were already buying beer at ten bucks a pop. This was a nice common theme throughout the night. The people that wound up setting in front of us, a group of four made at least three trips for alcohol. How the hell do you people do this? I think I've made up my mind I couldn't date anyone stupid enough to pay that, unless of course they are totally loaded financially.
We made our way to our seats, waiting the hour before start time and saw the second drum kit, meaning there was an opening act. I guess with a hockey game the next night, they were keeping it colder, but it was freezing down there.
And the other part I've mentioned before, it's amazing with a metro area of 3 million or more? and probably with other people traveling for afar like us, how is it that in an audience of 15,000 all these idiots know one another? I guess it's just the 1% thing, maybe those occupier nut-jobs are on to something.
At 8PM Whitey Morgan and the 78's came out. The group is a country rock group(two Telecasters and a pedal steel, baby) from Flint, Michigan and they played 9 songs for 35 minutes or so. And overall they were enjoyable, they had a good sound. He gave a shout to St. Louis club venue Off-Broadway. "We love coming here. Everybody says that, but we're not bullshitting." He threw in some covers that were nice, Springsteen's I'm On Fire("This one's for the ladies...who I'm kidding, they're all for the ladies."), Merle's Workin' Man Blues, a snippet of John Prine's Paradise and closing with a song by Dale Watson, Where Do You Want It?
Set list I copied from the Philly set list, but think there's a song missing
Crapped Out Again
(Stay Away From) The Cocaine Train
Crazy
I'm On Fire
Another Round
Paradise (snippet)
Workin' Man Blues
Sinner
Where Do Ya Want It?
The set change was done fairly briskly and ready for a Nine o'clock start time, with an announcement that Bob would be on stage in five minutes, though it was a few minutes after. But the lights dimmed and the man appeared with his band.
On the opening number, Roll Me Away, I was a little worried as the sound sounded muddied and Bob's voice was hard to understand. It didn't help he kept getting the crowd to do the chorus. But by the second song, Tryin' To Live My Life Without You, it wasn't as bad. And overall it stood up during the nearly two hour, 22 song show.
But there were times his voice wasn't as strong. He was fighting a cold, coughing quite a bit and a continued smoking habit doesn't help. Overall it was fine, but to me his voice sounded best on the slower and softer numbers, like Mainstreet, Turn the Page and We've Got Tonight, which he introduced saying he was inspired by a scene in the movie The Sting.
It also didn't help, he had a wall of sound behind him. There were three female back-up singers, plus a group of four horn players augmenting his six man band. There's definitely the feel of a Motown influence, which Seger said himself that he loved the blues.
The band was polished and stellar, featuring long time members Chris Campbell and his version of Clarance Clemons, Alto Reed. Or maybe Clarance Clemons is Bruce Springsteen's version of Alto Reed, since Alto and Bob were together first. Plus Grand Funk Railroad members Don Brewer and Craig Frost were part of the band and Jamey Johnson producer Jim "Moose" Brown.
Set List
Roll Me Away
Tryin' to Live My Life Without You
The Fire Down Below
Mainstreet
Old Time Rock and Roll
Downtown Train
Ramblin' Gamblin' Man
Hey Hey Hey Hey (Going Back to Birmingham)
Travelin' Man/Beautiful Loser
We've Got Tonight
Nutbush City Limits
Come to Poppa
Her Strut
Real Mean Bottle
Turn the Page
Sunspot Baby
Katmandu
-----------------
Against the Wind
Hollywood Nights
---------------
Night Moves
Rock and Roll Never Forgets
Highlights for me, well seeing Bob Seger mainly and with his catalog of songs, he got most of the ones I wanted to hear. I knew full well after looking at previous set lists, that Like A Rock wouldn't get played. Of course that was the one my dad most wanted to hear. You'll Accomp'ny Me is probably my favorite of his that he didn't play.
But he played Sunspot Baby, the song I was waiting for, that I just love to hear over and over. Against the Wind, was probably the best song of the evening and he was still cutting the vocals lose with "Let the Cowboys Ride!" during the choruses at the end. Turn the Page was up there too, which he played at the piano, where he usually gave some insights into the songs. That one was written in a motel, not a hotel, in Wisconsin in 1971 and later recorded in Leon Russell's studio in Oklahoma. Her Strut was inspired by Jane Fonda. And usually featured some of his clearest vocals. And the whole band shined on the Travelin' Man/Beautiful Loser segue.
And of course, once that piano intro of Old Time Rock and Roll came, the whole place was wild.
The only minor complaint about the performance was that the banter seemed too automated, many times at the beginning he'd give the album and asked us, "If we remember this one?" I was more worried about him forgetting them. And his shout to St. Louis was just a prefunctionary mention of how he loved flying here and seeing the Arch.
I'm curious if he gets his lyrics fed to him through an ear piece, because during Tryin' To Live My Life Without You, he gave pretty much verbatim of the talking part of the live version on Nine Tonight.
Of course the other people at a concert are the worst part. And I think the older ones are the worst when they're drunk. Dancing around, falling on one another, raising their glasses trying to sing along. Sigh....
But overall it was great. It was pretty neat for most of the songs, everyone was singing along. I haven't been to many shows like that. True at times I wish Seger himself would have been heard more clearly, but still special. And at 66, he was still up there giving it his all. This is the real Rock and Roll poet of the American working class, not that guy from Jersey.
St. Louis Post Dispatch Review
Riverfront Times Review
Sunday, December 4, 2011
The Singing Mailman Came to St. Louis; John Prine 12/3 Concert Review
Recently I've started listening to John Prine and his songs(mostly due to my dad playing one of his hilarious songs ad nausem, In Spite of Ourselves) and when I saw there was a date in St. Louis, I said, "Might as well check him out, I've got vacation days to use."
The concert was at the Touhill Performing Arts Center on the University of Missouri-St. Louis campus. Doors were supposed to be open at 7 PM for the 8:00 staring time, but they didn't open 'til 7:30 or a little later. Much to the chagrin of my dad, who used the time to splurge on the $5 sandwiches and soda. It was a pretty nice auditorium, mostly due to being pretty new.
When I ordered the tickets the only good seats together or showing up were 20 rows back, so I said heck with it and bought a couple with one seat a row in front of the other one.
Opening act Jason Isbell came on at 8 PM or pretty close. I was pretty sure he used to be in the Drive-By Truckers and was confirmed with the last song he sang, Outfit, which was the only one I was familiar with. Except for the last number, he was rather ho-hum for me. Not bad, but just seemed to run together a little too much. He joked around with the audience, especially about the sixth songs title, Goddamn Lonely Love, about how a producer or executive wanted him to change the title to 'gawl darn' or something similar. He played 8 songs for around 35 minutes.
His set list:
Daisy Mae
Alabama Pines
Tour of Duty
Streetlights
Dress Blues
Goddamn Lonely Love
Razor Town
Outfit
After around a 2o minute set change(more like dicking around there was nothing that should have needed to be changed, with a solo acoustic performer opening), the house lights dimmed and John Prine came onstage with his two backing musicians.
The opening two numbers were pretty rocking, and the second song Picture Show was an enjoyable song. His guitarist, Jason Wilber, is flat out talented. He played electric mandolin and harmonica, but when he was bending those Telecaster strings, he was on fire. There were multiple songs he was stand out on and got many applause's throughout the evening.
Set List
Another was hearing Souvenirs, a song he mentioned he played with Steve Goodman, who "had a finger picking style that made it sound like Prine was playing good."
Starting about 2/3's through the main set, the two other musicians left and Prine played solo for a few numbers before, they returned halfway through Sam Stone, adding beautiful accompaniments.
Prine, dealt with the audience members shouting out requests all night. Illegal Smile was the most prominent request. At one point Prine replied, "No, we're gonna do the next song," and later before starting a song, "You requested this one about an hour ago. Sorry it took so long to get your order....Would you like fries with that?"
One of his lines that also gave me a chuckle was in Dear Abby, when he got to the verse, "Dear Abby, Dear Abby, well I never though that me and my girlfriend would ever get caught. We were sittin' in the back seat just shootin' the breeze, with her hair up in curlers and her pants to her knees Signed Just Re-Married."
He did a nice job of mixing it up with his songs running the whole gamut of emotions, but maybe it was I was getting hungry and the heat in the auditorium, but found it starting to lull somewhat, waiting on more familiar songs. The only songs I wouldn't have minded hearing was The Late John Garfield Blues and Speed the Sound of Loneliness, were two he didn't play. No biggie though he played the other major ones.
And while he was in good spirits and clearly enjoyed being there, he didn't tell many stories or give many introductions to songs, he let the songs speak for themselves.
He ended up playing 25 total songs, coming back for an encore with a surprising I Saw Mommy Kissing Santa Claus and with Isbell joining the band for the close Paradise, another highlight for the evening.
Overall it was a pretty good performance. I wasn't super familiar with a lot of Prine's material, though I had been listening to several of his albums and recognized more songs that I thought I would. Though I wish he would have had a female opening act so he would have played, In Spite of Ourselves...
The Riverfront Times review
The concert was at the Touhill Performing Arts Center on the University of Missouri-St. Louis campus. Doors were supposed to be open at 7 PM for the 8:00 staring time, but they didn't open 'til 7:30 or a little later. Much to the chagrin of my dad, who used the time to splurge on the $5 sandwiches and soda. It was a pretty nice auditorium, mostly due to being pretty new.
When I ordered the tickets the only good seats together or showing up were 20 rows back, so I said heck with it and bought a couple with one seat a row in front of the other one.
Opening act Jason Isbell came on at 8 PM or pretty close. I was pretty sure he used to be in the Drive-By Truckers and was confirmed with the last song he sang, Outfit, which was the only one I was familiar with. Except for the last number, he was rather ho-hum for me. Not bad, but just seemed to run together a little too much. He joked around with the audience, especially about the sixth songs title, Goddamn Lonely Love, about how a producer or executive wanted him to change the title to 'gawl darn' or something similar. He played 8 songs for around 35 minutes.
His set list:
Daisy Mae
Alabama Pines
Tour of Duty
Streetlights
Dress Blues
Goddamn Lonely Love
Razor Town
Outfit
After around a 2o minute set change(more like dicking around there was nothing that should have needed to be changed, with a solo acoustic performer opening), the house lights dimmed and John Prine came onstage with his two backing musicians.
The opening two numbers were pretty rocking, and the second song Picture Show was an enjoyable song. His guitarist, Jason Wilber, is flat out talented. He played electric mandolin and harmonica, but when he was bending those Telecaster strings, he was on fire. There were multiple songs he was stand out on and got many applause's throughout the evening.
Set List
Spanish Pipedream
Picture Show
Humidity Built the Snowman
Your Flag Decal Won't Get You Into Heaven Anymore
Six O'clock News
Souvenirs
Grandpa Was a Carpenter
Storm Windows
Christmas in Prison
Fish and Whistle
Crazy as a Loon
Glory of True Love
Angel From Montgomery
Sabu Visits the Twin Cities Alone
Bruised Orange (Chain of Sorrow)
That's The Way That the World Goes 'Round
Dear Abby
Mexican Home
Sam Stone
Bear Creek Blues
Ain't Hurtin' Nobody
Hello in There
Lake Marie
---------------
I Saw Mommy Kissing Santa Claus
Paradise
Another was hearing Souvenirs, a song he mentioned he played with Steve Goodman, who "had a finger picking style that made it sound like Prine was playing good."
Starting about 2/3's through the main set, the two other musicians left and Prine played solo for a few numbers before, they returned halfway through Sam Stone, adding beautiful accompaniments.
Prine, dealt with the audience members shouting out requests all night. Illegal Smile was the most prominent request. At one point Prine replied, "No, we're gonna do the next song," and later before starting a song, "You requested this one about an hour ago. Sorry it took so long to get your order....Would you like fries with that?"
One of his lines that also gave me a chuckle was in Dear Abby, when he got to the verse, "Dear Abby, Dear Abby, well I never though that me and my girlfriend would ever get caught. We were sittin' in the back seat just shootin' the breeze, with her hair up in curlers and her pants to her knees Signed Just Re-Married."
He did a nice job of mixing it up with his songs running the whole gamut of emotions, but maybe it was I was getting hungry and the heat in the auditorium, but found it starting to lull somewhat, waiting on more familiar songs. The only songs I wouldn't have minded hearing was The Late John Garfield Blues and Speed the Sound of Loneliness, were two he didn't play. No biggie though he played the other major ones.
And while he was in good spirits and clearly enjoyed being there, he didn't tell many stories or give many introductions to songs, he let the songs speak for themselves.
He ended up playing 25 total songs, coming back for an encore with a surprising I Saw Mommy Kissing Santa Claus and with Isbell joining the band for the close Paradise, another highlight for the evening.
Overall it was a pretty good performance. I wasn't super familiar with a lot of Prine's material, though I had been listening to several of his albums and recognized more songs that I thought I would. Though I wish he would have had a female opening act so he would have played, In Spite of Ourselves...
The Riverfront Times review
Monday, October 31, 2011
Don't Know Why...
How did I get stuck again being around and having to listen to "educated" idiots and morons? Either this fall weather when constantly changing, does something to my body to make me fatigued and inhospitable, or I think it's time for a change of some kind...
Saturday, October 15, 2011
Songs To Be Played When I Die...
I did this when I started my MySpace blog and figured it was time for an update/repost of my favorite song or relevant songs.
I'd still rather have some kind of gathering concert, rent out the old Perry Gym or some other hall, than an actual funeral, like the Concert for George, though I don't know how many of friends are musically talented. Just make it a big old party and a good time. And it'd still be better than an actual funeral, especially when it costs $20-30,000 to die. Fucking unbelievable. Put me on a stick in the front yard and let the vultures claw me up. Or better yet, go the Gram Parsons route and somebody steal the body and set it on fire.
But here's the songs I'd like played/performed. Mostly favorites and favorite artists, but some darker relevant ones tossed in. I always think of the funeral scene in The Big Chill, where they preform the departed's favorite hymn, You Can't Always Get What You Want.
The last two would have to be Knockin' on Heaven's Door and The Weight.
Positively 4th Street, When I Paint My Masterpiece, Like A Rolling Stone, Knockin' On Heaven's Door- Bob Dylan
The Weight, I Shall Be Released- The Band
Are You Sure Hank Done It This Way?- Waylon Jennings
Poor, Poor Pitiful Me- Warren Zevon
House of Gold- Hank Williams
Lola- The Kinks
I Still Haven't Found What I'm Looking For- U2
I'm One, Long Live Rock, Substitute - The Who
Don't Cry No Tears, Harvest- Neil Young
Against the Wind- Bob Seger
Wide River to Cross- Buddy Miller
And something for sure by Jamey Johnson and Shooter Jennings. And I'll probably be adding to this list ad nauseum...
I'd still rather have some kind of gathering concert, rent out the old Perry Gym or some other hall, than an actual funeral, like the Concert for George, though I don't know how many of friends are musically talented. Just make it a big old party and a good time. And it'd still be better than an actual funeral, especially when it costs $20-30,000 to die. Fucking unbelievable. Put me on a stick in the front yard and let the vultures claw me up. Or better yet, go the Gram Parsons route and somebody steal the body and set it on fire.
But here's the songs I'd like played/performed. Mostly favorites and favorite artists, but some darker relevant ones tossed in. I always think of the funeral scene in The Big Chill, where they preform the departed's favorite hymn, You Can't Always Get What You Want.
The last two would have to be Knockin' on Heaven's Door and The Weight.
Positively 4th Street, When I Paint My Masterpiece, Like A Rolling Stone, Knockin' On Heaven's Door- Bob Dylan
The Weight, I Shall Be Released- The Band
Are You Sure Hank Done It This Way?- Waylon Jennings
Poor, Poor Pitiful Me- Warren Zevon
House of Gold- Hank Williams
Lola- The Kinks
I Still Haven't Found What I'm Looking For- U2
I'm One, Long Live Rock, Substitute - The Who
Don't Cry No Tears, Harvest- Neil Young
Against the Wind- Bob Seger
Wide River to Cross- Buddy Miller
And something for sure by Jamey Johnson and Shooter Jennings. And I'll probably be adding to this list ad nauseum...
Thursday, September 15, 2011
9th Street After 8 PM; Robert Earl Keen 9/14 Concert Review
How is it the Blue Note seems to have better free shows than paying shows? It's been two years since I've been to show there, but last year they had Chuck Berry playing outside for free and Jimmie Vaughan last month. So, when they announced that Robert Earl Keen was going to be playing the final free outdoor concert of the year, me and Zane made plans to go.
Of course you can never plan anything with him. And he came down with a cold and didn't want to do anything. Typical. I was trying to decide whether I wanted to go or not then. I saw that it was moved indoors because of the cold and earlier rain of the day and said I might as well do something, I lobbied to get this as my day off instead of Friday...
And my fun getting there issue, was getting five miles down the road and realizing I left my cell phone charging at home. So, after returning home, I also remembered to pick up my dad's camera. And I think I only managed to save one photo I took and only got a minute or so worth of video because the cards full. Now if I can only figure out to get the video's off there...
The Doors opened at 6 and show started at 7. I got there about half an hour before and it wasn't very full and honestly didn't get much til closer to 8 when Robert Earl Keen too the stage. I didn't feel like standing alone for awhile, so I took a seat in the balcony(Which are some of the most cramped seats for anyone short or tall. Thankfully I was able to stretch out longways...) And I think they had free beer, according to the guys behind me, so my brother missed out...
Deke Dickerson was the opening act, who was a Columbia native before moving elsewhere. He recounted the last time he played at the Blue Note was opening for Steppenwolf and couldn't hardly move due to Steppenwolf's keyboard player having a mountain of keys.
It was just him, a standup bass player and drummer, and they all switched instruments multiple times. Their style of music, I would classify as 1950's in general, sounding rockabilly, vintage country and Texas Swing of the era. They did a Johnny Cash cover and There Stands the Glass made famous by Webb Pierce. And a hilarious original called Misshapen Hillbilly Gal.
They were loud and it was actually pretty good. They played for 45 minutes but packed a bunch of songs in, not drawing them out too much. They did some some theatrics with the switching around, but they kept it entertaining.
Within 15 minutes they pretty much had everything changed over and the main act came out. I'm not super familiar with Keen, I just like some of his main songs and got turned onto him a little by my brother. So, I was probably with most of the people waiting to hear the Road Goes on Forever. I'm not sure about titles, I'm pretty sure he opened with the Rose Hotel, but i remember the 4th, 8th and 9th songs he played were pretty good.
Keen's came out in a hat and sports jacket, looking like some combination of Bob Dylan and Tom Waits. And his movements while playing guitar suggested a little Neil Young as well...
His band was good, but seemed to draw too much away from Keen, who after the tenth song, preformed a couple of numbers by himself including a spoken word/singing about being from College Station. It was ripe for booing as he mentioned he want to Texas A&M, the school who has gained the most recent scorn from the Big 12 for whoring itself out to the SEC, then playing Merry Christmas From the Family. I wish the show would have featured more solo Keen or at least lighter sound from the band.
But anyways after this the show seemed to pick up, several tracks from his new album were good, I Gotta Go and the the title track Ready for Confetti. He also played Copenhagen with another song about New Braunfuels in the middle and Gringo Honeymoon. And there was a hilarious song, maybe titled He's an Asshole, that he said they've never recorded and never will.
He finished up and came back out for an 2 song encore, with The Road Goes on Forever as the last song, which he played sped up and had a lengthy jam at the end. They then left the stage, but with quickly returned and played a surprising cover of You Can't Always Get What You Want, in slower blues style. It wasn't too bad.
Overall it wasn't bad, hey it was a free concert. I wished he would have played the Man Behind the Drums, his tribute song to Levon Helm and featured more storytelling/solo songs. Other than the storytelling song, he didn't have too much of a rapport with the audience. Though he did say, "Thanks," after almost every song. And he did get the crowd to sing along to some of the parts. And I wish I would have listened to a few more of his songs to have gotten more familiar with them, than I did...
More to come if a set list turns up or I can recall more later.
Of course you can never plan anything with him. And he came down with a cold and didn't want to do anything. Typical. I was trying to decide whether I wanted to go or not then. I saw that it was moved indoors because of the cold and earlier rain of the day and said I might as well do something, I lobbied to get this as my day off instead of Friday...
And my fun getting there issue, was getting five miles down the road and realizing I left my cell phone charging at home. So, after returning home, I also remembered to pick up my dad's camera. And I think I only managed to save one photo I took and only got a minute or so worth of video because the cards full. Now if I can only figure out to get the video's off there...
The Doors opened at 6 and show started at 7. I got there about half an hour before and it wasn't very full and honestly didn't get much til closer to 8 when Robert Earl Keen too the stage. I didn't feel like standing alone for awhile, so I took a seat in the balcony(Which are some of the most cramped seats for anyone short or tall. Thankfully I was able to stretch out longways...) And I think they had free beer, according to the guys behind me, so my brother missed out...
Deke Dickerson was the opening act, who was a Columbia native before moving elsewhere. He recounted the last time he played at the Blue Note was opening for Steppenwolf and couldn't hardly move due to Steppenwolf's keyboard player having a mountain of keys.
It was just him, a standup bass player and drummer, and they all switched instruments multiple times. Their style of music, I would classify as 1950's in general, sounding rockabilly, vintage country and Texas Swing of the era. They did a Johnny Cash cover and There Stands the Glass made famous by Webb Pierce. And a hilarious original called Misshapen Hillbilly Gal.
They were loud and it was actually pretty good. They played for 45 minutes but packed a bunch of songs in, not drawing them out too much. They did some some theatrics with the switching around, but they kept it entertaining.
Within 15 minutes they pretty much had everything changed over and the main act came out. I'm not super familiar with Keen, I just like some of his main songs and got turned onto him a little by my brother. So, I was probably with most of the people waiting to hear the Road Goes on Forever. I'm not sure about titles, I'm pretty sure he opened with the Rose Hotel, but i remember the 4th, 8th and 9th songs he played were pretty good.
Keen's came out in a hat and sports jacket, looking like some combination of Bob Dylan and Tom Waits. And his movements while playing guitar suggested a little Neil Young as well...
His band was good, but seemed to draw too much away from Keen, who after the tenth song, preformed a couple of numbers by himself including a spoken word/singing about being from College Station. It was ripe for booing as he mentioned he want to Texas A&M, the school who has gained the most recent scorn from the Big 12 for whoring itself out to the SEC, then playing Merry Christmas From the Family. I wish the show would have featured more solo Keen or at least lighter sound from the band.
But anyways after this the show seemed to pick up, several tracks from his new album were good, I Gotta Go and the the title track Ready for Confetti. He also played Copenhagen with another song about New Braunfuels in the middle and Gringo Honeymoon. And there was a hilarious song, maybe titled He's an Asshole, that he said they've never recorded and never will.
He finished up and came back out for an 2 song encore, with The Road Goes on Forever as the last song, which he played sped up and had a lengthy jam at the end. They then left the stage, but with quickly returned and played a surprising cover of You Can't Always Get What You Want, in slower blues style. It wasn't too bad.
Overall it wasn't bad, hey it was a free concert. I wished he would have played the Man Behind the Drums, his tribute song to Levon Helm and featured more storytelling/solo songs. Other than the storytelling song, he didn't have too much of a rapport with the audience. Though he did say, "Thanks," after almost every song. And he did get the crowd to sing along to some of the parts. And I wish I would have listened to a few more of his songs to have gotten more familiar with them, than I did...
More to come if a set list turns up or I can recall more later.
Tuesday, July 19, 2011
Sunday, A Bloody Hot Sunday; 7/17 U2 at Busch Stadium Concert Review
This was a no-brainer for me, a chance to see the World's Greatest Rock and Roll Band. (Yes, I realize the Stones are still alive and kicking, but since 1987 or so U2 has been the one to hold this title. Or a better title I guess would be the World's Most Popular Band.) I guess I'm glad Bono hurt his back last year and had to reschedule shows and they added St. Louis. Otherwise I wouldn't have seen them.
And it was held in beautiful Busch Stadium, the first time I've ever been in the new one. The "Claw" stage that looked like a spaceship, is so big and tall(over 150 feet) that it couldn't have fit into the Edward Jones Dome, like most of the other shows on the U2 360° Tour have been in football or soccer stadiums worldwide. Arrowhead Stadium in Kansas City would have been the likely choice I thought. More seats more money. Or even Faurot Field in Columbia could have gotten more people. Heck they played in Norman Oklahoma and East Lansing Michigan...
This was the first stadium show I've ever been too. But I bought general admission field tickets because a) it was cheaper and b) closer than most of the other seats, unless I wanted to sit in the upper decks.The gates opened at 5 and thanks to my brother dicking around we didn't get there until 5:30 or so, but thankfully the heat scared away a lot of people. We didn't get into the inner part closest to the stage, but were about 8 "rows" back from the access ramp.
And the heat was torture. One good thing was they let us bring in water or soda, so we could stay hydrated without paying the astronomical prices. It was 92° when we got there and the sun blaring at our backs. Thankfully by around time Interpol, got around to playing at 7:30(supposed to start at 7:00) the sun was behind the stands.
Interpol came out, with one member dressed in a full suit in this heat, and played nine songs over 40 minutes or so. Probably the heat, and the fact I've never heard anything of theirs, I wasn't that impressed, except for how quick they were done. The lead singer looked like 1990's Brad Pitt, with a mullet and he sounded like Michael Stipe...
Then came the set-change, which took over an hour. The neatest part was watching the 3 camera operators on each of the claw legs get hoisted up. Finally the speakers started playing David Bowie's A Space Oddity, and the band came out. They had the fans going with the two opening songs rocking, but as soon as the Edge hit the distinctive opening tones and notes of Mysterious Ways it sent the crowd into a frenzy. The first four songs were from Achtung Baby, I would guess being as it's the 20 year anniversary of the album...
Set List
Even Better Than The Real Thing
The Fly
Mysterious Ways
Until The End Of The World
I Will Follow
Get On Your Boots
I Still Haven't Found What I'm Looking For> Many Rivers To Cross
Stay (Faraway, So Close!)
Beautiful Day > Space Oddity
Elevation
Pride (In The Name Of Love)
Miss Sarajevo
Zooropa
City Of Blinding Lights
Vertigo
I'll Go Crazy If I Don't Go Crazy Tonight > Discothèque > Life During Wartime > Psycho Killer
Sunday Bloody Sunday
Scarlet
Walk On
One
Hallelujah > Where The Streets Have No Name
------------
Hold Me, Thrill Me, Kiss Me, Kill Me
With Or Without You
Moment of Surrender
The highlight for me was seeing my favorite song of theirs I Still Haven't Found What I'm Looking For. Bono had the crowd sing some of the lines in the first verse and choruses. During the song, it got me caught up in the moment, forgetting that I was stuck at an outdoor concert in the middle of summer. Plus it was cool being able to look up and over and see the Arch. If I was more centered or more on the right side, I guess they would've been in the background.
Before, the song Bono made mention of how long they've been at this and thanked the audience for being with them all these years. "Adam (Clayton, bassist) still believes being in a band is a great way to meet girls.... And it is." He joked about Larry Mullen the drummer, still being upset at the band not being named after and lauded the Edge as the greatest guitar player of his generation. And for Bono himself, "...As for me, I'm a man of simple means: 200 trucks, 400 tons of equipment, is all I need..."
He also mentioned that they'd been in St. Louis before 30 years ago, where they played at Graham Chapel on the Washington University campus, which the Post had reprinted an review of earlier this year. He read the set list for that night which was humorous in that the first three songs, were repeated as the last three songs in the encore. He also mentioned several time the lights being on in the Hilton and that the people needed to get to sleep over there.
Other highlights were seeing another personal favorite the Batman Forever soundtrack song Hold Me, Thrill Me, Kiss Me, Kill Me. And they played all of their hits, or the ones I wanted to hear. Pride (In the Name of Love) was another standout for me that seemed to get the crowd into it. The only real absent song was ,New Year's Day (Angel of Harlem, Desire, All Because of You, Stuck in A Moment, if you want to get picky), but I could live without hearing it.
They used a video of astronaut Mark Kelly(Gabrielle Giffords husband) setting up Beautiful Day and I liked the wise segue of playing a bit of A Space Oddity, which related perfect to the couple.
The stage and video screen were used. They had to ramps to the outer catwalk, that were moved several times, that brought Bono and the Edge close and taken back. And the video screen was brought down like "a space ship getting ready to lift off," during the later part of the main set and trapping the band at one point
And Bono kept the politicalnesss out of it for the most part. He mentioned a bit about Aung San Suu Kyi and democracy in Burma and gave a shout out to Amnesty International. He even joked before telling the audience to keep the people of Joplin in our hearts and prayers, that "... I want to think before I talk. I don't always do that...," before Moment of Surrender, a song which seemed anti-climatic and took the wind out of the sails. The group left the stage to Rocket Man playing over the loudspeaker.
The Edge, is the master of getting tones and sounds out of his guitars. He naturally did the guitar switch after virtually every song, but listening to U2's songs it's easy to see why, they almost all have different sonics and they generally kept the same sounds that the recorded versions have. And in It Might Get Loud, he says 'he tries to play as few notes as possible.' So, what he does with foot pedals, synths or whatever, is amazing.
The worst part was the people. There was almost a fight ten feet in front of us. Some guy was fucked up on something and tried starting something with a huge guy(I think the guy could have taken him and his two friends). Then having to listen to hipster/hippie chicks talking with their friends and having their friends come up and help block my view. I didn't mind them dancing or enjoying the show. And a woman in front of us passed out about halfway through U2's set. How do you pay money for tickets, then pay shitloads more for beer and have fun like that? Guess I'm just a conservative.
On the plus side of people, there was something that even made me crack a smile, watching couple young kids sitting of their parents/grandparents shoulders next to me, smiling and clapping along to the music.
There was no major surprises, nothing much different from previous set lists(which I hadn't looked at except for South American dates earlier this year), but U2 is able to conjure up enough magic to make it feel like you're watching something special. Maybe that's why they are the greatest rock and roll band in the world. One of the best I've been too...
Post Dispatch review
and Riverfront Times review
And a write up on the U2 site
And it was held in beautiful Busch Stadium, the first time I've ever been in the new one. The "Claw" stage that looked like a spaceship, is so big and tall(over 150 feet) that it couldn't have fit into the Edward Jones Dome, like most of the other shows on the U2 360° Tour have been in football or soccer stadiums worldwide. Arrowhead Stadium in Kansas City would have been the likely choice I thought. More seats more money. Or even Faurot Field in Columbia could have gotten more people. Heck they played in Norman Oklahoma and East Lansing Michigan...
This was the first stadium show I've ever been too. But I bought general admission field tickets because a) it was cheaper and b) closer than most of the other seats, unless I wanted to sit in the upper decks.The gates opened at 5 and thanks to my brother dicking around we didn't get there until 5:30 or so, but thankfully the heat scared away a lot of people. We didn't get into the inner part closest to the stage, but were about 8 "rows" back from the access ramp.
And the heat was torture. One good thing was they let us bring in water or soda, so we could stay hydrated without paying the astronomical prices. It was 92° when we got there and the sun blaring at our backs. Thankfully by around time Interpol, got around to playing at 7:30(supposed to start at 7:00) the sun was behind the stands.
Interpol came out, with one member dressed in a full suit in this heat, and played nine songs over 40 minutes or so. Probably the heat, and the fact I've never heard anything of theirs, I wasn't that impressed, except for how quick they were done. The lead singer looked like 1990's Brad Pitt, with a mullet and he sounded like Michael Stipe...
Then came the set-change, which took over an hour. The neatest part was watching the 3 camera operators on each of the claw legs get hoisted up. Finally the speakers started playing David Bowie's A Space Oddity, and the band came out. They had the fans going with the two opening songs rocking, but as soon as the Edge hit the distinctive opening tones and notes of Mysterious Ways it sent the crowd into a frenzy. The first four songs were from Achtung Baby, I would guess being as it's the 20 year anniversary of the album...
Set List
Even Better Than The Real Thing
The Fly
Mysterious Ways
Until The End Of The World
I Will Follow
Get On Your Boots
I Still Haven't Found What I'm Looking For> Many Rivers To Cross
Stay (Faraway, So Close!)
Beautiful Day > Space Oddity
Elevation
Pride (In The Name Of Love)
Miss Sarajevo
Zooropa
City Of Blinding Lights
Vertigo
I'll Go Crazy If I Don't Go Crazy Tonight > Discothèque > Life During Wartime > Psycho Killer
Sunday Bloody Sunday
Scarlet
Walk On
One
Hallelujah > Where The Streets Have No Name
------------
Hold Me, Thrill Me, Kiss Me, Kill Me
With Or Without You
Moment of Surrender
The highlight for me was seeing my favorite song of theirs I Still Haven't Found What I'm Looking For. Bono had the crowd sing some of the lines in the first verse and choruses. During the song, it got me caught up in the moment, forgetting that I was stuck at an outdoor concert in the middle of summer. Plus it was cool being able to look up and over and see the Arch. If I was more centered or more on the right side, I guess they would've been in the background.
Before, the song Bono made mention of how long they've been at this and thanked the audience for being with them all these years. "Adam (Clayton, bassist) still believes being in a band is a great way to meet girls.... And it is." He joked about Larry Mullen the drummer, still being upset at the band not being named after and lauded the Edge as the greatest guitar player of his generation. And for Bono himself, "...As for me, I'm a man of simple means: 200 trucks, 400 tons of equipment, is all I need..."
He also mentioned that they'd been in St. Louis before 30 years ago, where they played at Graham Chapel on the Washington University campus, which the Post had reprinted an review of earlier this year. He read the set list for that night which was humorous in that the first three songs, were repeated as the last three songs in the encore. He also mentioned several time the lights being on in the Hilton and that the people needed to get to sleep over there.
Other highlights were seeing another personal favorite the Batman Forever soundtrack song Hold Me, Thrill Me, Kiss Me, Kill Me. And they played all of their hits, or the ones I wanted to hear. Pride (In the Name of Love) was another standout for me that seemed to get the crowd into it. The only real absent song was ,New Year's Day (Angel of Harlem, Desire, All Because of You, Stuck in A Moment, if you want to get picky), but I could live without hearing it.
They used a video of astronaut Mark Kelly(Gabrielle Giffords husband) setting up Beautiful Day and I liked the wise segue of playing a bit of A Space Oddity, which related perfect to the couple.
The stage and video screen were used. They had to ramps to the outer catwalk, that were moved several times, that brought Bono and the Edge close and taken back. And the video screen was brought down like "a space ship getting ready to lift off," during the later part of the main set and trapping the band at one point
And Bono kept the politicalnesss out of it for the most part. He mentioned a bit about Aung San Suu Kyi and democracy in Burma and gave a shout out to Amnesty International. He even joked before telling the audience to keep the people of Joplin in our hearts and prayers, that "... I want to think before I talk. I don't always do that...," before Moment of Surrender, a song which seemed anti-climatic and took the wind out of the sails. The group left the stage to Rocket Man playing over the loudspeaker.
The Edge, is the master of getting tones and sounds out of his guitars. He naturally did the guitar switch after virtually every song, but listening to U2's songs it's easy to see why, they almost all have different sonics and they generally kept the same sounds that the recorded versions have. And in It Might Get Loud, he says 'he tries to play as few notes as possible.' So, what he does with foot pedals, synths or whatever, is amazing.
The worst part was the people. There was almost a fight ten feet in front of us. Some guy was fucked up on something and tried starting something with a huge guy(I think the guy could have taken him and his two friends). Then having to listen to hipster/hippie chicks talking with their friends and having their friends come up and help block my view. I didn't mind them dancing or enjoying the show. And a woman in front of us passed out about halfway through U2's set. How do you pay money for tickets, then pay shitloads more for beer and have fun like that? Guess I'm just a conservative.
On the plus side of people, there was something that even made me crack a smile, watching couple young kids sitting of their parents/grandparents shoulders next to me, smiling and clapping along to the music.
There was no major surprises, nothing much different from previous set lists(which I hadn't looked at except for South American dates earlier this year), but U2 is able to conjure up enough magic to make it feel like you're watching something special. Maybe that's why they are the greatest rock and roll band in the world. One of the best I've been too...
Post Dispatch review
and Riverfront Times review
And a write up on the U2 site
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